The dbx 160A's unique "INFINITY +" inverse-compression mode actually decreases the audio output level below unity gain when the input exceeds threshold, a real lifesaver for correcting overbearing vocal choruses and controlling runaway house mix levels. A detector input can be used with an equalizer for de-essing sibilant vocals and selectively smoothing out boomy notes on acoustic guitar and bass. And two 160As can be stereo-coupled to process an entire mix or instruments mic'd in stereo, without shifting the left/right image. Its musical sound, easy operation and unequalled versatility made the original dbx 160 a world standard. The 160A follows that tradition, while meeting the challenges of a digital world.
OverEasy® or classic hard knee compression with dbx's ultra-musical program dependent attack and release times, Compression ratio variable from 1:1 through infinity :1 to negative compression, Precision dual RMS LED display monitors input or output and gain reduction over a wide range and calibrates for different operating levels, Over 60dB of gain reduction available, Exclusive Infinity+ compression allows negative compression, Independent balanced and unbalanced outputs can drive 600 loads to +24dBm simultaneously. New floating balanced output stage drives any load, Optional output transformer capable, Strappable with another 160A for true RMS stereo summing operation